Is actually common knowledge that the blockbuster machine that is Hollywood is out of ideas. So to maintain your dollars rolling in, some other movie release is a Remake/ Reboot/Reimagining of former hits or even yearns for (like ‘I Spit for you Grave’, I mean… significantly? ) with varied results, from the unquestionable success of ‘Star Trek’ to the fiasco that is the ‘Wolfman’. yesmovies
In going after fresh ideas, the industry believes it has found a goldmine by producing comic-based movies about every major and obscure super-hero. This obviously makes a lot of economic sense, as comic books currently have a dedicated following, which can certainly be tapped by bringing a fan-favourite figure to the big display. At present, there are over 50 superhero properties at various stages of development and production, with this past month viewing the release of trailers for ‘Green Lantern’ and ‘Cowboys & Aliens’.
NERD ALERT!! Now Considering the trailer of ‘Green Lantern’ – if like myself, you know the big difference involving the Marvel and POWER Universes – on discovering the antics of Johnson Reynolds (he of ‘The Proposal’ fame with Sandra Bullock, and recently identified the sexiest man in by People magazine), one gets the impression that he is watching ‘Wally West-Flash’ (yes, there is several Flash) goofing off as ‘Hal Jordan-Green Lantern’ (yes, there is also more than one Organic Lantern). The casting choice is a lttle bit off, to put it mildly, as this is not the personality of Hal Michael jordan.
How come this subject, you may ask? Very well, if Hollywood is serious about cashing in on the enormous comics market, and at the same time attract average movie audiences who find it difficult to effectively identify an Avenger or a member of the Justice League, then they need to serve up well-developed and researched bits, and not simply special results spectacles that either have very little or highly contrived plots (I’m taking a look at you Michael Bay).
Because these Film studios invest a lot in bringing these characters to the big screen, they may have every right to interpret them however they see fit. Yet, while i expect to see the “cocky arrogant do-gooder who I wish to hate” that IS Hal Test, and get the “playful lively man-child” that CAN BE Wally West, then Now i’m not so certain We want to see that movie.
It is additionally fair to point out that film production company studios no longer shoulder all the pin the consequence on. As at times when they’ve allowed fanboys significant creative input in what the final product would be, subsequent box office receipts have not validated the investment, either because the movie was too faithful to the source material and so did not attract enough mainstream viewers, or because fanboys performed not come out in expected numbers to see something that they are already quite knowledgeable about. These types of movies become artistic and critical successes, but also commercial underachievers (See ‘Kick-Ass’ and ‘Scott Pilgrim VS’ as case studies).
Therefore where does then this leave us? As for each and every ‘Dark Knight’ and ‘Iron Man’, you get 2 ‘Jonah Hex’ and ‘X-Men Origins: Wolverine’ (make no mistake, this was an atrocious movie, notwithstanding the commercial success). The solution I suggest is to give attention to the source materials!
Every Superhero has an essence, which when unadulterated out of the mythology, succinctly defines who they are and what they represent. This is what got the attention of geeks, when Jerry Amtszeichen and Joe Shuster first created the ‘Man of Steel’ in 1932 and still has them connected in the decades which may have followed. As what individual can’t relate to the struggle of finding your place in a world where you cannot find any other like you. Or what about the prejudice that one relates to because he or the girl is different (X-men). Once again consider destruction and harm that uncontrolled rage can cause to you personally and the ones you love (Hulk).